Tag Archives: パフューム

Perfume – Cling Cling (short ver.)

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Perfume – DISPLAY (Panasonic CM ver.)




Perfume boys and girls who just can’t wait for the new EP Cling Cling, here’s something for you, a HQ version of DISPLAY:


DISPLAY in HQ sounds mind-blowing, revealing complex, distorted layers of synth and shifting beat. We can’t wait to hear it in full.

Of course, in the community spirit, we want you to support Perfume and by showing you the leak we encourage you to order Cling Cling from either iTunes, CDJapan, Amazon JP or HMV Japan.
If you’re ordering from an overseas country such as the UK, be aware that you might be asked to pay the TAX separately (although Amazon Japan covers the cost in advance).




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Perfume – DISPLAY


Screen Shot 2014-05-27 at 05.04.41


Short music video of Perfume‘s new song DISPLAY has been leaked by a fan. The video is a commercial tie-in with Panasonic and features elaborate film editing and cinematography.



Perfume mentioned on their own radio show that DISPLAY is “the definition of Perfume”. I couldn’t have said it better myself. This short, low quality sample is enough to tell that producer Yasutaka Nakata still has got the secret formula. Airy vocals, distorted synth and addictive melody never sounded so well together. The new EP Cling Cling is out on 16th of July.


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Perfume – 「Cling Cling」


Perfume Cling Cling


Perfume is gearing up for a release of a new EP. 「Cling Cling」 will be out on the 16th of July and the tracklist includes:

1. Cling Cling
2. Hold Your Hand
4. いじわるなハロー

As usual with Perfume’s singles, instrumentals to each track are included.

We’ve had a chance to listen to Hold Your Hand, which met with some harsh criticism from the hardcore fans, who felt like the song was too similar to the last release, Sweet Refrain. While it is true, the song is pretty similar to Sweet Refrain, I actually enjoy Hold Your Hand more. Sure, it is the standard high blood sugar spike dose of saccharine pop with cutesy vocals and sweet melody but it is catchy and pleasant, something we’ve grown to expect from Perfume alongside harder electro tracks. Speaking of which, I really hope that Cling Cling is a reference to another Perfume track, Clockwork. This fan favourite was Nakata‘s top choice for the LEVEL 3 single but after discussions with the girls, they’ve decided to use 1mm to promote the album instead. Clockwork is a hypnotising track that offers a metaphor of clockwork to describe, well… sex. Rhythmic, clever and haunting. Or perhaps could it be that Cling Cling will be the Spending all my time ver.2 since they share the four track structure and the outfits seem to reference SAMT a little? Stay tuned for more info and follow us on Twitter.


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Shiina Ringo – J’ai trouvé l’amour / 熱愛発覚中


shiina ringo


Shiina Ringo (椎名 裕美子) is a hugely respected singer-songwriter in Japan and a leader of a rock band Tokyo Jihen. Her music is an eclectic mix, full of effortless flair and lyrical insight. She dabbled in anything from punk rock, alternative to hip hop, jazz and Japanese enka, all to a great critical acclaim. She is one of the most successful and respected Japanese female artists up to date.




For her best-of-collaboration album Ukina / 浮き名 (release – November 13), Shiina paired up with the most influential Japanese producer of electronic music – Yasutaka Nakata, known from the music of Capsule, Perfume, Kyary Pamyu Pamyu or MEG. The child of their work is J’ai trouvé l’amour (lit. I found love) / 熱愛発覚中 (romanized ‘Netsuai Hakkakuchu’). It’s a demure and hypnotising piece of electropop. Mysterious, ominous verse and a sweet but mature chorus are intercepted by Nakata‘s distorted synths. The chemistry of Nakata‘s instrumental and Shiina‘s style and vocals is like apple and cinnamon – absolutely spot on. The effect is of avant-garde quality. Check it out below:



The video is up to par with the music. Elegant and stylish Shiina kicks ass, literally. In a Kill Bill kind of way. This video should be a lesson to many Western female singers on ‘How to be sexy without showing too much / looking like a whore’. In fact, it’s so well directed that I wish it was an actual movie. This, gentlemen, is how you make a music video.

What’s left is to hope that such synergetic collaboration between Shiina and Nakata will spark even more future works together. Stay tuned and if enjoy the works of Shiina, be sure to check out the new album Ukina.


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Perfume – Sweet Refrain




LEVEL 3 album has been released only in October and Perfume is already back with a new single due for November release.

Sweet Refrain was apparently meant to be included in LEVEL 3 however for some reason it is now a standalone single.

Listen to Sweet Refrain.

LEVEL 3 is a great, well balanced album with a fresh sound but Sweet Refrain is simply underwhelming. Verses sound sweet and nostalgic, strangely work well with the dubstep elements, however the titled chorus is a sickly sweet, generic J-pop SPAM. Altogether the song doesn’t leave a strong impression and the high pitched vocals are simply borderline-irritating. It really is a mess. Is this the direction Perfume is going? From progressive electro to generic J-pop? Back to square one. Is Nakata trying to please the mainstream Japanese audience? The problem is, at one extreme Perfume is pushing the boundaries with ambitious electro, at the other extreme, they are simply a girly idol-like sellout, trying to please everybody and nobody (未来のミュージアム / Mirai no Museum anyone?). I hope that this is just a temporary phase and after the Sweet Refrain (and a visit to the dentist) Nakata will remember what made Perfume so special in the first place. Let’s just hope the b-side will turn everything around once again (~ edge, FAKE IT, Handy Man)

Sweet Refrain: 2013.11.27

01. Sweet Refrain
02. 恋は前傾姿勢 (Koi wa Zenkeishisei)
03. Sweet Refrain -Original Instrumental-
04. 恋は前傾姿勢 -Original Instrumental-

Sweet Refrain –Video Clip-


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Capsule – CAPS LOCK




Why is Perfume or Kyary more popular than Capsule?
Because Perfume is a pop girl group, dumbass! – you might say.

Of course the point is not to be popular but to make (hopefully) good music. In anticipation for the new album many hoped that CAPS LOCK will glide on the success of LEVEL 3. Sadly, it feels like a lost potential. I really wanted to praise this album but CAPS LOCK leaves a Capsule fan disappointed.

Since their best album up to date More More More, the duo has been releasing some mildly successful records, with a few gems here and there but generally lacking coherence and strong sense of direction. However their new album, CAPS LOCK, marks a new low…

Many fans of Perfume also listen to Capsule and vice versa. After hearing the Perfume‘s fantastic last record you might have listened to Enter the Sphere and imagine that Capsule‘s latest album will evoke all that and better. That it will cumulate all the badassness, trippy club beats and take all that harder electro to the next level. Thirsty of the style we know, you reach for the new album to clench your thirst but CAPS LOCK tastes like a cold tea… no milk, no sugar, two days old tea. Yes, unfortunately it is a disappointment.

We’ve got an intro that’s less exciting than elevator music. CONTROL is promising, colourful although Toshiko’s vocals are so chopped up it ends up sounding a little annoying, like a leftover Miku Miku track (ouch…). DELETE starts underwhelming although it develops into a pleasant synth with atmosphere.


CONTROL, one of very few O-K moments on the album… :


12345678 is like a first year’s University student project in Sound Design. Some honking and creaking door layered together and inaudible vocals comes in. WHYYYY

SHIFT is almost good… almost. The cut up vocal salad remains a little annoying. It would have been fine if it was just a regular vocoder treatment but it’s not, it’s over done. Sorry Nakata.

ESC, another project of the same amateur Uni student, dripping water, ticking clock, wind. No music. Nakata is losing his mind.

SPACE sounds more like a Capsule track we know, albeit lacks a climax.

RETURN is a soothing piano number that goes into synth, like a synth lullaby. Somewhat nostalgic, pleasant.

And… that’s it. That’s all. There’s no JUMPER, there’s nothing you could bounce about to in a club, there’s nothing you’ll have on repeat on your iPod. It’s a huge dissapointment. With only 8 tracks, no strong single and style all over the place, this could easily be just an EP of 4 but instead it’s pretending to be an album. Shame.

Nakata remains a genius for sculpting the direction of Perfume and Kyary into success however… losing out on his own project. I do hope that the next material from Capsule will change our mind once again.


Here’s what we hoped CAPS LOCK would be but it’s not. Enter the Sphere by Perfume, Capsule‘s producer and mastermind :


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