Tag Archives: edm

Perfume – DISPLAY (Panasonic CM ver.)

 

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Perfume boys and girls who just can’t wait for the new EP Cling Cling, here’s something for you, a HQ version of DISPLAY:

http://tokinohari.tumblr.com/post/87098731038

DISPLAY in HQ sounds mind-blowing, revealing complex, distorted layers of synth and shifting beat. We can’t wait to hear it in full.

Of course, in the community spirit, we want you to support Perfume and by showing you the leak we encourage you to order Cling Cling from either iTunes, CDJapan, Amazon JP or HMV Japan.
If you’re ordering from an overseas country such as the UK, be aware that you might be asked to pay the TAX separately (although Amazon Japan covers the cost in advance).

 

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Perfume – 「Cling Cling」

 

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Perfume is gearing up for a release of a new EP. 「Cling Cling」 will be out on the 16th of July and the tracklist includes:

1. Cling Cling
2. Hold Your Hand
3. DISPLAY
4. いじわるなハロー

As usual with Perfume’s singles, instrumentals to each track are included.

We’ve had a chance to listen to Hold Your Hand, which met with some harsh criticism from the hardcore fans, who felt like the song was too similar to the last release, Sweet Refrain. While it is true, the song is pretty similar to Sweet Refrain, I actually enjoy Hold Your Hand more. Sure, it is the standard high blood sugar spike dose of saccharine pop with cutesy vocals and sweet melody but it is catchy and pleasant, something we’ve grown to expect from Perfume alongside harder electro tracks. Speaking of which, I really hope that Cling Cling is a reference to another Perfume track, Clockwork. This fan favourite was Nakata‘s top choice for the LEVEL 3 single but after discussions with the girls, they’ve decided to use 1mm to promote the album instead. Clockwork is a hypnotising track that offers a metaphor of clockwork to describe, well… sex. Rhythmic, clever and haunting. Or perhaps could it be that Cling Cling will be the Spending all my time ver.2 since they share the four track structure and the outfits seem to reference SAMT a little? Stay tuned for more info and follow us on Twitter.

 

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Pet Shop Boys – Electric / album review

 

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So I was waiting for the train in London Underground and I noticed the poster for Pet Shop Boys Electric. I made a mental note to check it out when I get home and… thank god for that poster! Electric is a great album. In fact it’s everything I hoped the new Capsule album to be.

Electric brings me back to the times of Love etc. except it’s a bit more melancholic in some places yet fresh and deliciously charged with energy.

Axis sets the mood right and… it sounds like it should be a Capsule track! Except better… Take that, CAPS LOCK. Perfect for a club environment. The boys are back. Sample below:

 

 

Fluorescent is a dense, synthesised club banger. The kind of song you’ll see London twinks making out to in the corners of a club.

Thursday is the new Friday. Literally. Featuring Example, it’s a very mainstream friendly, 80s flavoured pop track.

Between the dance floor electro and pop accents there are tracks filled with dreamy, trance-like atmosphere, but the sound remains consistent and altogether polished.

The Last to Die reminds me of Capsule once again with it’s distorted synth and guitar albeit obviously much more vocal-focused.

Love is a Bourgeois Construct is a classic Pet Shop Boys treatment. Flamboyant, bright… laser bright. Imagine lasers in Palace of Versailles! Yep.

Electric is both dance-y and reflective and that on its own is an achievement that many electro artists only wish they could grasp. The album is brief, coherent and doesn’t disappoint. In fact, it’s really amazing that after over 30 years, Pet Shop Boys remain so current and contemporary. If you like ‘proper’, full bodied electro, chances are this album will be an aural feast for you, if not, at least a pleasant ride. English synth pride!

PS. If you were disappointed by either new Daft Punk or new Capsule, Electric might just be the album for you.

 

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Perfume -「LEVEL 3」/ ALBUM REVIEW

 

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To the point: LEVEL 3 is the best Perfume album yet. The record is a perfect balance between mainstream pop/dance and sophisticated electronica.

Clockwork is amongst the best tracks on the album. It has a hypnotic, inviting melody, thread with sweet, girly voices of A-chan, Kashiyuka and Nocchi. All this wrapped in a fuzzy layer of synth will get you coming back for more.

The album opens with Enter the Sphere, which sounds like the essence of Capsule’s trippy electro sound in a kaleidoscope… and then it sounds like a battle theme from Final Fantasy 7 for a moment. Edgy and very ‘right now’.

Another bright gem is Party Maker. It’s a terrific party anthem and really deserves its name. Made up of Nakata’s staple, driving beat and tied with just a few vocal lines into an uplifting ball of energy. This really isn’t pop anymore and that’s exactly the secret of Perfume’s success – the fact that their music is pushing the edges of what we consider to be ‘pop’ or ‘mainstream’ by truly creative use of voice processing, vocoder and layering.

1mm is used as the main track promoting LEVEL 3 and has everything that a Perfume song should have, catchy chorus, dance-inducing beat and sparkling synthesiser. All this in a slightly cold setting. Through processed vocals, lyrics show a human touch as they capture the feeling of being helplessly ‘not yet ready’.

Fans will appreciate the comeback of their favourite singles in a new form or remixes. Spring of Life (Album-mix) now has an extended intro that starts with, what was previously the interlude. It’s also tweaked with beats here and there to make it more club-friendly.

Magic of Love (Album-mix), on the other hand is worse than the original and sounds a bit flat. The cheesy ‘trumpet’ and a lighter edit makes it sound like a soundtrack to OutRun. Still, it’s heaps better than Mirai no Museum / 未来のミュージアム – the only downside of this album. Stuck in the middle of the tracklist it stands out like a sore thumb, or should I say, like a toddler in Ministry of Sound and that’s because it’s the most infantile-sounding Perfume track up to date. SKIP.

Spending all my time (Album-mix) is the best remix on the record. It sounds more restrained and structured. It gradually builds up to reveal the final chorus, which now sounds more powerful and exposed. This, gentlemen, is how you make a good remix.

We’ve also got the fan favourite b-sides, stylish and oriental Handy Man, electro-on-drugs Daijobanai / だいじょばない and dreamy Point / ポイント. There’s also Sleeping Beauty, a track which resembles Butterfly, with its hypnotically looped melody and little lyrics. Simple but full of atmosphere.

LEVEL 3 ends with Dream Land, which fits nicely into an ending. Mysterious and a little sad. The album really shows many shades of Perfume and, unlike all the pop artists who jump the ‘electro’ bandwagon ‘because it’s in right now’ Perfume (or Nakata) take it to another level and show real creativity beneath the synth and vocoders. LEVEL 3 is the best electro-pop album so far this year.

 

 

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